Genesis, Part 2: Covenant Family Established
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Lesson OneThe Patriarchs (Begin reading Genesis 12-50)17 Activities|1 Assessment
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Getting Started
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Lesson Text: Genesis 12-50
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In | Bible Concordance Exercise
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In | Genesis 1-11 and the Rest of the Story
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In | Promises for the Journey
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In | Workbook: The Patriarchal Promises
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Behind | Patriarchal Culture
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Behind | Workbook: Defining the Three Ps
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Behind | Onsite: Bedouin Honor and Hospitality - Dr. Iain Pickett
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Behind | Polygamous Culture
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Behind | Pagan Culture
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Behind | Land Grants and Covenant Cutting
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Behind | Onsite: Split Sacrifice - Steve Wunderink
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In Front | Divine Choice
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In Front | Divine Promise
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In Front | Workbook: Journaling Exercise
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Wrap-Up
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Getting Started
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Lesson TwoAbraham (Gen 12-24)19 Activities
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Getting Started
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Lesson Text: Genesis 12-24
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In | Workbook: Abraham’s Faithfulness and Faithlessness - Genesis 12–25
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In | Stories of Abraham and Sarah
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Behind | iMap: Journeys of the Patriarchs
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Behind | An Introduction to the Patriarchal Period: Dr. Robert Homsher
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Behind | Urban Living and Trade in the Patriarchal Period: Dr. Robert Homsher
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Behind | Warfare in the Patriarchal Period: Dr. Robert Homsher
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Behind | Religious and Burial Practices in the Patriarchal Period: Dr. Robert Homsher
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Behind | Workbook: Homsher Interview
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In Front | Abraham's Faith and Faithlessness
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In Front | New Identity
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In Front | Christianity Today: David Was a Rapist; Abraham Was a Sex-Trafficker
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In Front | Workbook: The Pimping Patriarch?
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In Front | An Interview with Anne Graham Lotz, Part 1
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In Front | An Interview with Anne Graham Lotz, Part 2
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In Front | Workbook: Lotz Interview
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In Front | Using Imagination Responsibly
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Wrap-Up
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Getting Started
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Lesson ThreeJacob (Gen 25-36)11 Activities|2 Assessments
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Getting Started
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Lesson Text: Genesis 25-36
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In | Workbook: Abraham and Jacob: Genesis 25–36
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In | Introduction to Jacob
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Behind | Biblical Sites: Main Places in Jacob's Life
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Behind | Onsite: Peniel - Wrestling with God
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Behind | 360 View: Peniel "Face of God"
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Behind | Onsite: Madaba Sheep Market - Dr. Iain Pickett
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In Front | Why Was Jacob Chosen?
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In Front | Workbook: Reflection
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Wrap-Up
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Getting Started
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Lesson FourJoseph (Gen 37-50)20 Activities|1 Assessment
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Getting Started
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Lesson Text: Genesis 37-50
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In | Story Arcs
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In | Workbook: The Story of Joseph - Genesis 37–50
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In | The Life of Joseph
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In | Foreshadowing
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In | Predictions, Prophecies, Promises and Foreshadowing
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Behind | Introduction to Behind the Text
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Behind | Onsite: Semites in Egypt - The Beni Hassan Tomb
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Behind | Onsite: Joseph the Administrator - Egyptologist Essam Zeid
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Behind | Onsite: The Storehouses of Joseph - Egyptologist Essam Zeid
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Behind | Joseph's Cultural Setting
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Behind | Onsite: Temple Granaries - Professor Steve Wunderink
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Behind | Joseph as a Model for Familial Reconciliation: Dr. Célestin Musekura
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Behind | Joseph in Egypt: Dr. Andrea Zaki
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In Front | Workbook: Review of Interviews
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In Front | Museum of the Bible: Global Impact Bible - The Impact of the Joseph Story
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In Front | Workbook: The Joseph Story in Paintings
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In Front | Our Daily Bread: When to Walk Away
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Wrap-Up
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Getting Started
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Lesson FiveConclusion (Review Genesis 12-50)13 Activities|1 Assessment
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Getting Started
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Lesson Text: Genesis 37-50
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In | The Bible Project: Genesis 12–50
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In | Major Themes in Genesis
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In | Nested Narratives
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Behind | The Embalming of Jacob: Egyptologist Essam Zeid
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Behind | Onsite: Tombs of the Patriarchs
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Behind | iMap: Tombs of the Patriarchs
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In Front | The Metanarrative of the Old Testament
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In Front | Our Daily Bread: The Gift of Remembering
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In Front | Workbook: Guiding Questions - Genesis
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In Front | Workbook: The Uniqueness of Genesis
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Wrap-Up
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Getting Started
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Course Wrap-UpCourse Completion1 Activity|1 Assessment
In | Story Arcs
Every story has a distinct shape. Some start with a crisis and move toward its resolution. Some stories begin with a happy time, things get worse and then the happiness returns in a new form. Some portray the unfolding of a romantic relationship. There are many stories in the Bible and each has distinctive shape to its plot. The shape of a plot is called a story arc.
Many people have studied the various shapes of story arcs. Six main types emerge when analyzing stories.
Rising Action
In this kind of story, the experiences of the characters simply get better and better. One basic example of this is found if you look at Genesis 1 and 2 as a self-contained story. God’s creation of the earth and all living things, including Adam and Eve, is a continuously rising story arc.
Falling Action
In this kind of story, the experiences of the characters simply get worse and worse. This is the kind of story arc we observe unfolding in 1 & 2 Kings, with the height of the unified kingdom under Solomon descending to the fall of Jerusalem to Nebuchadnezzar.
Rise then Fall
The story of King Saul fits this classic pattern. This arc begins with rising action followed by a tragic fall, most often the result of a tragic flaw of a main character. The fall normally aims to warn the audience against the kind of tragic flaw found in the main character.
Fall then Rise
The classic story of this kind of arc is Job. The story begins with him losing one thing after another until he has nothing left. However, by the end of the story, all is restored to Job.
Rise-Fall-Rise
In this story arc the character(s) experience a high, and then things turn for the worse. But then another crucial turn occurs leading to a new rise. The story of King David’s reign has basic elements of this arc with his rise to power, the conspiracy of Absalom and then David’s return to power.
Fall-Rise-Fall
This story arc also involves two turns, but it begins in a low place, progresses to a high point and then descends again to the depths. The Hebrews in the Exodus story follow this pattern. They had descended into slavery after Joseph, but God brings them out with many signs and wonders to meet with him in the desert. But they repeatedly rebel and end up perishing without entering the Promised Land.
Charting a Story Arc
Story arcs can be charted using a basic graphic with two axes. The horizontal axis represents the unfolding of time in the plot. The vertical axis represents rising and falling action.
See an example below of Little Red Riding Hood story arc: