Psalms and Song of Songs
-
Lesson OneOverview of Poetry31 Activities|1 Assessment
-
Getting Started
-
Lesson Text: Psalms 14, 23, 29, 53, 91, 119
-
In | Workbook: Psalm 2 in Acts 4
-
In | Psalm 2 in Acts 4
-
In | Names and Titles of Authors in the Psalms
-
In | The Poetic Books
-
In | Hebrew Poetry
-
In | Workbook: Psalm 23 and the Old Testament, Part 1
-
In | Workbook: Psalm 23 and the Old Testament, Part 2
-
In | Psalms and the Prophets, Part 1
-
In | Psalms and the Prophets, Part 2
-
In | Figures of Speech
-
In | Duplicate Psalms, Part 1
-
In | Workbook: Duplicate Psalms
-
In | Duplicate Psalms, Part 2
-
In | Bible Project: The Art of Biblical Poetry
-
Behind | Images of Nature
-
Behind | Psalms and Forces of Nature
-
Behind | Workbook: Psalms and an Egyptian Funerary Stele, Part 1
-
Behind | Workbook: Psalms and an Egyptian Funerary Stele, Part 2
-
Behind | Rescuing the Worship of Nature
-
Behind | Imagery from Culture
-
Behind | YHWH the King
-
Behind | Onsite: Lift up Your Heads, O Gates - Steve Wunderink
-
In Front | Analogical Thinking
-
In Front | Workbook: Analogical Thinking
-
In Front | A Medieval Psalter
-
In Front | Athanasius on the Psalms
-
In Front | Workbook: Athanasius on the Psalms
-
In Front | Describing and Worshiping our God
-
Wrap-Up
-
Getting Started
-
Lesson TwoPoetic Structures22 Activities|1 Assessment
-
Getting Started
-
Lesson Text: Psalms 2–16, 20–22, 24–27, 31–33, 35–43
-
In | Workbook: Psalm 1
-
In | Parallelism, Part 1
-
In | Chiasm
-
In | Workbook: Chiasm in Psalm 11, Part 1
-
In | Workbook: Chiasm in Psalm 11, Part 2
-
In | Workbook: Chiasm in Psalm 11, Part 3
-
In | Acrostic
-
In | Psalm 119 Acrostic
-
In | A Lost Verse in Psalm 145
-
In | Workbook: Psalms of Korah, Ethan, Heman and Asaph
-
In | Psalms of Korah, Ethan, Heman and Asaph
-
Behind | Instruments from the Ancient Near East
-
Behind | Workbook: Musical Instruments in the Psalms
-
Behind | Musical Instruments in the Psalms
-
Behind | The Irony and Appeal of Idols: Dr. Catherine McDowell
-
In Front | Form and Function
-
In Front | Workbook: Psalm 151
-
In Front | Psalm 151
-
In Front | Psalter in History
-
Wrap-Up
-
Getting Started
-
Lesson ThreePraise and Lament24 Activities|2 Assessments
-
Getting Started
-
Lesson Text: Psalms of Lament: 44, 60, 74, 79, 80, 85, 86, 90. Psalms of Thanksgiving: 28, 30, 34, 57, 89, 92, 95, 111, 138
-
In | Workbook: Psalm 22
-
In | Psalms of Lament
-
In | Psalms of Lament: The Persecuted
-
In | Imprecatory Psalms
-
In | Workbook: Psalms of Thanksgiving
-
In | Workbook: “Flesh” in the Psalms
-
In | “Flesh” in the Psalms
-
In | Life in YHWH
-
In | Individuality in the Psalms, Part 1
-
Behind | David and Laments
-
Behind | David Runs from Saul
-
Behind | Onsite: Hiding in the Caves of En Gedi - David's Laments While Running from Saul
-
Behind | Ancient Near Eastern Psalms
-
Behind | Workbook: Mesopotamian Parallels to the Psalms
-
Behind | Mesopotamian Parallels to the Psalms
-
Behind | Psalm 104 and the Great Hymn to Aton
-
In Front | Praise and Lament
-
In Front | Workbook: Complaint and Intercession in Psalm 60, Part 1
-
In Front | Workbook: Complaint and Intercession in Psalm 60, Part 2
-
In Front | Workbook: Write a Psalm of Thanksgiving
-
In Front | Workbook: Reflecting on Your View of God
-
Wrap-Up
-
Getting Started
-
Lesson FourThe Diversity of Psalms28 Activities
-
Getting Started
-
Lesson Text: Psalms of Creation: 8, 65; History: 78, 105–106; Royal: 2, 18, 72, 89, 110; Enthronement: 93–99; Zion: 48, 102, 126; Torah: 1, 19; Worship: 150
-
In | Historical Notes in the Psalms
-
In | Workbook: Historical Notes in the Psalms, Part 1
-
In | Workbook: Historical Notes in the Psalms, Part 2
-
In | Workbook: Historical Notes in the Psalms, Part 3
-
In | History and Creation in the Psalms
-
In | David and Moses
-
In | The Kingship of God
-
In | Sovereignty in Psalm 90s
-
In | Psalms of Zion and Torah
-
In | Words of Wisdom, Part 1
-
In | Workbook: Words of Wisdom
-
In | Words of Wisdom, Part 2
-
In | Creation
-
In | Covenant
-
In | Sacrifice, Praise and Worship
-
Behind | Worship and Magic in the Ancient Near East
-
Behind | Workbook: Psalms and a Hymn from the Temple of Amun, El-Charga, Part 1
-
Behind | Psalms and a Hymn from the Temple of Amun, El-Charga, Part 2
-
Behind | We Become What We Worship: Dr. Catherine McDowell
-
Behind | Onsite: Sowing with Tears - Plowing, Planting and Praying: Ronit Maoz
-
In Front | The Psalms for Today
-
In Front | Preparing for Christ
-
In Front | Jesus and the Psalms
-
In Front | Workbook: Jesus and the Psalms
-
In Front | Workbook: Guiding Questions - Psalms
-
Wrap-Up
-
Getting Started
-
Lesson FiveSong of Songs20 Activities
-
Getting Started
-
Lesson Text: Song of Songs
-
In | Workbook: A Return to Eden
-
In | A Return to Eden
-
In | Natural Love
-
In | The Shamelessness of Song of Songs
-
Behind | Life and Sex as Forces of Nature
-
Behind | The Metaphorical Nature of Poetry
-
Behind | An Egyptian Parallel
-
Behind | Egyptian Parallels
-
Behind | Onsite: The Gardens Are Calling - Ronit Maoz
-
Behind | Onsite: Enclosed Garden - A Lover's Image in Song of Songs
-
In Front | Interpreting the Song of Songs
-
In Front | Traditional Christian Interpretation
-
In Front | Christianity Today: Play Me That Hot Puritan Love Song
-
In Front | Workbook: Play Me That Hot Puritan Love Song
-
In Front | Literal vs. Figurative Reading
-
In Front | Workbook: Reflection
-
In Front | Workbook: Guiding Questions - Song of Songs
-
Wrap-Up
-
Getting Started
-
Course Wrap-UpCourse Completion1 Activity|1 Assessment
Participants 24
Behind | Psalm 104 and the Great Hymn to Aton
The psalmists describe YHWH as sovereign over all life and the natural world. It was also common in Sumeria and Babylon, for example, to refer to gods as “lords of life.” But the type of connection the Bible makes is unique. YHWH is a personal deity, who engages with His world in dynamic and varying ways.
We see a very close parallel to biblical Psalms in the Egyptian Hymn to Aton. The first line is strikingly familiar: “O Lord, our Lord, how majestic is your name.” But even as it shows remarkable correspondence with the biblical text, it highlights the Bible’s uniqueness in the ancient world. Aton (or “Aten”), the “lord” in this hymn, was the sun-god in Egyptian mythology. In other words, the divine being is somehow part of the physical world rather than a personal deity standing over and above it, as we find in YHWH.
One of the many parallels between the Hymn to Aton and Psalm 104 is given below.
Source: Bernd U. Schipper, “Egyptian Backgrounds to the Psalms,” The Oxford Handbook of the Psalms, edited by William P. Brown, 4, pp. 68-69; and An Introduction to Wisdom Literature and the Psalms, edited by H. W. Ballard and W. D. Tucker, 2000, pp. 70-72.
Psalm 104:24-30 (NRSV) | The Great Hymn to the Aton |
24 O Lord, how manifold are your works! In wisdom you have made them all; the earth is full of your creatures. 29-30 When you hide your face, they are dismayed; when you take away their breath, they die and return to their dust. When you send forth your spirit, they are created; and you renew the face of the ground. | How manifold it is, what thou hast made! They are hidden from the face (of man). O sole god, like whom there is no other! Thou didst create the world according to thy desire, whilst thou wert alone. (Those on) earth come from your hand as you made them, When you have dawned they live, When you set they die; You yourself are lifetime, one lives by you. (125-128) |
While the similarities between the two texts are obvious, the differences are also readily apparent. The deity in the Bible is not a force of nature or distant source of impersonal benefits, but a personal God who engages humanity and creation in a dynamic and ongoing relationship. Hans-Joachim Kraus says:
Yahweh is not some impersonal life force, the solar deity, of whom it is said in the Hymn to Aton, “When thou hast risen they live; when thou settest they die. Thou art lifetime thine own self, for one lives (only) through thee” (ANET2, p. 371). Psalm 104 does not deal with a static deity ….
Psalm 104, which was so strongly influenced by the language of the Hymn to Aton, shows that the entire world is supported and ruled by the activity of Yahweh. His activity involves all the elements and creatures of the created world. Like the father of a family, Yahweh stretched out the tent of the heavens (Psalm 104:2). Like a master builder He “laid the beams” of His chamber (v 3). Like a wise manager He takes the fertility-bringing, life-giving water to the fields (Psalm 104:13-15). Like the head of a family He portions out the goods and gifts needed in daily life (vv 27f). Therefore all creation turns expectantly to Yahweh. It is dependent on Him and dies without Him (v 29). It lives by His creative acts that continue their work of renewal (v 30).
Source: Hans-Joachim Kraus, Theology of the Psalms, 1992, pp. 163-164.
The God of Psalm 104 is not a natural phenomenon, but a personal creator who tends to His world in lovingkindness. And, as we saw In the Text, the life He brings is not confined to biological existence. It draws His people up into relationship with him. This relationship takes priority over any other benefits received from God:
Because your steadfast love is better than life,
my lips will praise you.
Psalm 63:3 (ESV)
When a psalmist cries out for life in the Psalms, the priority is reversed from the Mesopotamian prayers. His relationship with YHWH is not something he uses to get life; his relationship with YHWH is life. It’s a subtle shift, but it’s a revolution in ancient Near Eastern thought. And it is a deliberate confrontation with traditional notions.
The psalmist isn’t crying out for physical survival or pleasures, but for the Lord. His complaints aren’t merely about cattle or offspring or the longest possible earthly life. He wants to draw nearer to YHWH and relate on the best possible terms. The significance of this shift is difficult to overstate, and we’ll see it continue through the Old Testament and into the New.