Psalms and Song of Songs
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Lesson OneOverview of Poetry31 Activities|1 Assessment
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Getting Started
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Lesson Text: Psalms 14, 23, 29, 53, 91, 119
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In | Workbook: Psalm 2 in Acts 4
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In | Psalm 2 in Acts 4
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In | Names and Titles of Authors in the Psalms
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In | The Poetic Books
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In | Hebrew Poetry
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In | Workbook: Psalm 23 and the Old Testament, Part 1
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In | Workbook: Psalm 23 and the Old Testament, Part 2
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In | Psalms and the Prophets, Part 1
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In | Psalms and the Prophets, Part 2
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In | Figures of Speech
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In | Duplicate Psalms, Part 1
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In | Workbook: Duplicate Psalms
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In | Duplicate Psalms, Part 2
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In | Bible Project: The Art of Biblical Poetry
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Behind | Images of Nature
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Behind | Psalms and Forces of Nature
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Behind | Workbook: Psalms and an Egyptian Funerary Stele, Part 1
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Behind | Workbook: Psalms and an Egyptian Funerary Stele, Part 2
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Behind | Rescuing the Worship of Nature
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Behind | Imagery from Culture
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Behind | YHWH the King
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Behind | Onsite: Lift up Your Heads, O Gates - Steve Wunderink
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In Front | Analogical Thinking
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In Front | Workbook: Analogical Thinking
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In Front | A Medieval Psalter
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In Front | Athanasius on the Psalms
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In Front | Workbook: Athanasius on the Psalms
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In Front | Describing and Worshiping our God
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Wrap-Up
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Getting Started
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Lesson TwoPoetic Structures22 Activities|1 Assessment
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Getting Started
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Lesson Text: Psalms 2–16, 20–22, 24–27, 31–33, 35–43
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In | Workbook: Psalm 1
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In | Parallelism, Part 1
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In | Chiasm
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In | Workbook: Chiasm in Psalm 11, Part 1
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In | Workbook: Chiasm in Psalm 11, Part 2
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In | Workbook: Chiasm in Psalm 11, Part 3
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In | Acrostic
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In | Psalm 119 Acrostic
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In | A Lost Verse in Psalm 145
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In | Workbook: Psalms of Korah, Ethan, Heman and Asaph
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In | Psalms of Korah, Ethan, Heman and Asaph
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Behind | Instruments from the Ancient Near East
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Behind | Workbook: Musical Instruments in the Psalms
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Behind | Musical Instruments in the Psalms
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Behind | The Irony and Appeal of Idols: Dr. Catherine McDowell
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In Front | Form and Function
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In Front | Workbook: Psalm 151
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In Front | Psalm 151
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In Front | Psalter in History
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Wrap-Up
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Getting Started
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Lesson ThreePraise and Lament24 Activities|2 Assessments
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Getting Started
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Lesson Text: Psalms of Lament: 44, 60, 74, 79, 80, 85, 86, 90. Psalms of Thanksgiving: 28, 30, 34, 57, 89, 92, 95, 111, 138
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In | Workbook: Psalm 22
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In | Psalms of Lament
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In | Psalms of Lament: The Persecuted
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In | Imprecatory Psalms
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In | Workbook: Psalms of Thanksgiving
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In | Workbook: “Flesh” in the Psalms
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In | “Flesh” in the Psalms
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In | Life in YHWH
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In | Individuality in the Psalms, Part 1
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Behind | David and Laments
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Behind | David Runs from Saul
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Behind | Onsite: Hiding in the Caves of En Gedi - David's Laments While Running from Saul
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Behind | Ancient Near Eastern Psalms
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Behind | Workbook: Mesopotamian Parallels to the Psalms
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Behind | Mesopotamian Parallels to the Psalms
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Behind | Psalm 104 and the Great Hymn to Aton
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In Front | Praise and Lament
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In Front | Workbook: Complaint and Intercession in Psalm 60, Part 1
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In Front | Workbook: Complaint and Intercession in Psalm 60, Part 2
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In Front | Workbook: Write a Psalm of Thanksgiving
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In Front | Workbook: Reflecting on Your View of God
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Wrap-Up
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Getting Started
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Lesson FourThe Diversity of Psalms28 Activities
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Getting Started
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Lesson Text: Psalms of Creation: 8, 65; History: 78, 105–106; Royal: 2, 18, 72, 89, 110; Enthronement: 93–99; Zion: 48, 102, 126; Torah: 1, 19; Worship: 150
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In | Historical Notes in the Psalms
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In | Workbook: Historical Notes in the Psalms, Part 1
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In | Workbook: Historical Notes in the Psalms, Part 2
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In | Workbook: Historical Notes in the Psalms, Part 3
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In | History and Creation in the Psalms
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In | David and Moses
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In | The Kingship of God
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In | Sovereignty in Psalm 90s
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In | Psalms of Zion and Torah
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In | Words of Wisdom, Part 1
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In | Workbook: Words of Wisdom
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In | Words of Wisdom, Part 2
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In | Creation
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In | Covenant
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In | Sacrifice, Praise and Worship
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Behind | Worship and Magic in the Ancient Near East
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Behind | Workbook: Psalms and a Hymn from the Temple of Amun, El-Charga, Part 1
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Behind | Psalms and a Hymn from the Temple of Amun, El-Charga, Part 2
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Behind | We Become What We Worship: Dr. Catherine McDowell
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Behind | Onsite: Sowing with Tears - Plowing, Planting and Praying: Ronit Maoz
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In Front | The Psalms for Today
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In Front | Preparing for Christ
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In Front | Jesus and the Psalms
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In Front | Workbook: Jesus and the Psalms
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In Front | Workbook: Guiding Questions - Psalms
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Wrap-Up
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Getting Started
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Lesson FiveSong of Songs20 Activities
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Getting Started
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Lesson Text: Song of Songs
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In | Workbook: A Return to Eden
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In | A Return to Eden
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In | Natural Love
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In | The Shamelessness of Song of Songs
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Behind | Life and Sex as Forces of Nature
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Behind | The Metaphorical Nature of Poetry
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Behind | An Egyptian Parallel
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Behind | Egyptian Parallels
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Behind | Onsite: The Gardens Are Calling - Ronit Maoz
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Behind | Onsite: Enclosed Garden - A Lover's Image in Song of Songs
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In Front | Interpreting the Song of Songs
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In Front | Traditional Christian Interpretation
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In Front | Christianity Today: Play Me That Hot Puritan Love Song
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In Front | Workbook: Play Me That Hot Puritan Love Song
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In Front | Literal vs. Figurative Reading
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In Front | Workbook: Reflection
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In Front | Workbook: Guiding Questions - Song of Songs
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Wrap-Up
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Getting Started
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Course Wrap-UpCourse Completion1 Activity|1 Assessment
Participants 24
In Front | Athanasius on the Psalms
The book of Psalms was beloved by early church communities. Its ability to resonate with people on a personal and emotional level has endeared it to both lay people and theologians. One of the more interesting examples of this in early Christian history is that of Athanasius of Alexandria, a fourth century Egyptian bishop. On learning that a younger Christian was attempting to learn the meaning of all 150 Psalms, Athanasius sent him an enthusiastic letter of encouragement:
“I too have a great fondness for [Psalms]—just as I have for all the Scripture. Indeed, it so happens that I had a conversation with a learned old man, and I wish to write you about those things that old master of the Psalter told me about it. For there is a certain grace and persuasiveness combined with the reasonable statement. He said this:”
“All Scripture of ours, my son—both ancient and new—is inspired by God and profitable for teaching, as it is written. But the Book of Psalms possesses a certain winning exactitude for those who are prayerful. Each sacred book supplies and announces its own promise . . . Yet the Book of Psalms is like a garden containing things of all these kinds, and it sets them to music, but also exhibits things of its own that it gives in song along with them.
“It sings the events of Genesis in Psalm 18 . . . The themes of Exodus and Numbers and Deuteronomy it chants beautifully in Psalms 77 and 113 . . . The things concerning Joshua and the judges it manifests somehow in the 106th . . . The pronouncements of the Prophets are declared in nearly every psalm . . . [This book] knew Christ Himself as the Coming One and indeed it especially speaks concerning Him in the forty-fourth psalm, (the 86th, 82nd, 68th, 22nd etc.)
“[But] in addition to the other things in which it enjoys an affinity and fellowship with the other books, it possesses, beyond that, this marvel of its own—namely, that it contains even the emotions of each soul . . . Therefore anyone who wishes boundlessly to receive and understand from it, so as to mold himself, it is written there.
“[In] the Book of Psalms, the one who hears, in addition to [what he learns] . . . also comprehends and is taught it in the emotions of the soul.”
Source: Athanasius: The Life of Antony and The Letter to Marcellinus, Trans. Robert C. Gregg, 1980, pp. 101-104, 108.